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One of the things that tends to kill thrillers like this is that they just don’t know how to work in romance, but I thought that this series really weaves in the romance really well. It’s a dead weight, so it was basically all on me to pick him up and slam him into the ground. The stunt guy couldn’t help me in that position because of the weight distribution. That was a really cool moment for me because it’s all strength. I pitched one triangle slam, where Briggs’ character has me in a triangle choke, at the end of the season, and I pick him up and slam him on the ground. Once they realized I could fight, they included me a lot, in all that stuff. I was involved, pretty early on, with the whole fight choreography. The toughest thing for me was breaking my muscle memory of how to fight in real life.ĭid you have a favorite fight scene or action sequence that you got to do in this?īASSO: Yeah. I almost had to re-learn how to fight, which is crazy to think about, since I’ve been doing it my whole life.

You wanna get from point A to point B as quick as possible, and that doesn’t read on camera. In real martial arts and real fighting, you wanna do the least amount of telegraphing. It was more the differences in style of martial arts.

Where did you start with your preparation for Peter? You’ve talked about how you typically already train, but did you do anything to prepare to play him because of his specific physicality?īASSO: Yeah, I fight a lot in real life and I train a lot, almost on a daily basis, so nothing physical required that much preparation for me.